The mild and moderate days of December winter have given way to an early February blizzard. We have been  at home for several days, skipped the studio visit, skipped the swim at the Y, and kept busy watching the snow plows go by, the banks of stuff  building up with each new pass of the big trucks that keep our roads safe for the die hards who have to get to work.

I am working on  ideas for my gallery talk which I will give at the Miller Art Museum in June, on portraiture and the history of its evolution. This means I have a stack of  things on the dresser, books on Farum paintings in Egypt, a biography of Chuck Close,  another on Lucien Freud, a book on the self portrait throughout the ages, and another on the Society Portrait. There are also books on silhouettes and another on  portraits in the age of abstraction.  Each morning I sip a cup of tea in bed and read, making notes on  index cards, in hopes that after a few weeks of this activity, I will have a
concise yet  comprehensive grasp of history and style, as well as a few interesting   stories on artists
that I have long admired but had little knowledge of. Its a self directed art history course I am taking, and I am re thinking the way art history could have been taught, approaching it from a thematic rather than a linear chronological approach. For example, Albrecht Durer was probably the first artist to paint a landscape for the sake of the landscape, not as an afterthought in a narrative about peasants or Icarus falling from the skies.  Artemisia Gentilischi was invited to live at the court of the King of England, where she was employed as a court painter.   Could we have a book on nothing but court painters??? Or how about a  talk on the artists who were all thrown in jail or sought by police for things like murder, theft, corruption... Courbet was forced to flee his home country, he died of malaria, while in transit to seek asylum from a patron. His paintings were banned from exhibitions. He missed the ferry he needed to catch, and that is where he  became ill. I took a number of art history surveys in college, and in grad school
I audited  the Renaissance class one semester just to brush up, but working in museums like the Blanden where I  shared space with paintings by Miro, Chagall, Beckmann and many other early
twentieth century greats, I had plenty of hands on experience albeit a generalist approach.

August 7, 2015

What I did On My Summer Vacation

Chez Cheryl Artspace is back to normal, a quiet interlude of pastoral bliss, monarch's flutter  past the milkweed and  wild carrot, tall stalks of spent ditch lilies and grasses gone to seed, and wind blows through the pine and maple.  I  often see a family of turkey vultures preening on the ridge of the barn roof, Coopers Hawks in the meadow, indigo buntings in the apple trees and across the valley, a deer   emerges from a cool thicket to cross over a stone fence, venturing into the field of newly cut clover.  On the walls which a month ago featured portraits in a myriad of media and presentation, I now have my growing accumulation of paintings I have attempted over the past few years, a series of abstract impressions of winter, a few still life studies, and en plein air or the valley and environs I have just described above. 

We were pretty dry, and I prayed it would rain, refilling my rain barrel and the water bins at the back door, and last Sunday we got that rain, plus 60 mph winds which  wreaked havoc on many, with downed trees, no power for at least 12 hours, and  marble sized hail throughout the county.  The garden is nearly feral again, but yielding spaghetti squash, cucumber and zucchini, tomatoes of  all sizes, potatoes, broccoli, eggplant and basil and peppers. Earlier there was  a handful of radishes, and spinach, and sweet raspberries, just enough to pick and eat while standing in the garden.

All of this takes me away,  my focus in life seems to be less of the world out there, and more about the internalizing of this pastoral  setting. Painting as meditation, painting as movement, the path of a butterfly, the shadow of the turkey vulture, the sound of the  pine trees singing in the wind. Painting to make the palpable yet invisible  patterns more visible.

This is where I live. I live in a place where people stop to move a snapping turtle off the busy county highway, I live where when a storm hits and knocks out power, puts trees on car tops and roof lines, the grocery stores cook up burgers and  have water ready for people who are hungry. I live where  I know the guy in the emergency responder truck is also the same guy who tends bar, he is a neighbor and he is always on call.  I live where you can't go to the grocery store, library or post office without running into at least 2-3 artists or poets or musicians. And the post master brings garden surplus in to the lobby for the FREE box, if anyone needs a zucchini, or a lily bulb.

Door prize for Portraiture 2015

Chez Cheryl Artspace was open for those interested in seeing 26 of region's most creative and unique artists in this annual invitational exhibition that pays homage to the genre of portraits, in all forms. Guest Juror Grame Reid, Director of Collections and Exhibitions at the Museum of Wisconsin Art in West Bend Wi selected three honorable mentions and one Best in Show, and new this year was an award for the rookies,  or newbies of the group. Honorable Mention awards went to Rick Risch for his pensive portrait. TOMORROW,  Cynthia Wolfe, for her Mixed media assembled clay and wood visage  PORTRAIT IN SEPIA, with surface treatment of elaborate zen tangle drawing on clay; and Mark Zelten for his expressive  and classical capture of THE ARTIST'S FATHER, Best in Show went to Paula Swaydan Grebel for her double portrait THE PROM, which features her daughter and date for high school prom seated  in formal attire, barefoot, in an explosion of painterly pink chiffon.
The newbie award went to Colleen McCarty for NATURE GIRL, a self portrait in graphite, portraying the artist with feathers, leaves and tree limbs as body parts.

THE ARTIST'S FATHER

By Mark Zelten of Green Bay WI

Honorable Mention Award 2015

THE PROM

By Paula Swaydan Grebel of Plymouth WI

DOOR PRIZE BEST IN Show 2015

GUEST JUROR

Grame Reide of Museum of Wisconsin Art, West Bend, WI

Presenting awards and offering comments, with Cheryl Stidwell Parker to a crowd of over 100.- photo contributed by Suzanne Rose

NATURE GRl by Colleen McCarty, Sturgeon Bay, WI

Copperhead  by David Franke

Urban Portrait by Ken Klopack

Where have the weeks gone...

What Happens When You Wait

I have spent the last five months puzzled and frustrated  by my own lack of interest in the tubes of paint sitting  on my paint table. I started a portrait in January, and it sits on my easel still, unfinished but slowly evolving into a statement of some sort.  I also have paintings from  the 90's which have been getting cut into strips and wrapped around the thrift store horses I find on my fossicking about. The horses have been well received and sell in a gallery shop in Iowa.  And I hope to sell them again here in Door County,  but I am saving them for a fall garden art fair in Sturgeon Bay.
I went into a  regimen of physical therapy following knee replacement in September, and by the end of the year I was walking without a cane, and able to get outside daily through the winter, and at least one or two days a week I spent at the studio, wrapping horses, and struggling with the idea of painting a portrait of the daughter of a friend. It  still lures me in to paint now and then, but the countryside is loaded with lilac and the cherry and apple orchards peaked last week. The garden plot beckons and the county is begining to boil with the hubub of art openings, and galleries opening up for the season.
 I am able to do a nearly weekly drawing activity, figure studies which allow me to experiment with a variety of materials, but mostly I favor the vine charcoal and water color pencils, in two hour drawing sessions, I am thrilled when I get one or two good renderings a week.
Reading has also  been a focus, and when people ask what do we do for maintaining sanity through the winter here, I reply, "go to the library" or I shop online, and load my kindle or find a treasure trove of art biographies.  Alice Neel, Eric Fischl, Joan Mitchell,  William Merrit Chase,  A Wolf Called Romeo, and currently a bio on Fairfield Porter, have kept me company through out the season.  And there are the books, mostly novels, from my book club selections, in which I do not fully participate..
Lately I have focused on our Sixth annual Door Prize for Portraiture, inspired by the Archibald Prize of New South Wales Gallery of art, we have invited more artists each year to show protraits in the studio farm house... with a good juror attending the party, we announce winners, drink wine and artists meet each other. Each year there is a new batch, some returning, and others, newcomers, but all leave as friends and look forward to the next year.

Unfinished portrait

working title

The Hundredth Hihii bird

paint table still life

Memento Mori

started this painting in 2012, finished it after a year of incubating, 2015

Rag Nags, horses upcycled and wrapped with paintings from twenty years ago.

Selections From my Final exhibit of the Year

at the Fellowship Center, Unitarian Universalist's in Ephraim WI

October 2014

   Franne Dickinson standing in front of a few of my paintings, Bird Bath in Rainbow Flutter on the right, and Tree of Life on the left.

Me with Franne Dickinson   who dropped in to see the work and offer some encouragement.

Jan and  her husband, artist Emmett Johns with Steve Lavell

Artist Sally Everhardus and Steve Lavell. Sally and I have exhibited together twice this year, begining the season with the Door Community Charitable Foundation  exhibit in late May, and ending the season with this UU show in October. Steve was our entertainment for the afternoon, playing guitar.

And now for something completely different......

SHIELD PAINTINGS

 Animal Imagery and exercises in meditation

Incubator-2014

Lunar Landing- 2014

My painting activity has slowed somewhat, since my last  (August) blog posting I have undergone total knee replacement, which put me in the hospital for two days and nights, then  a conga line of physical therapy sessions ensued, meeting every other day for the next five weeks.  I slept a lot, I iced a lot and I read a lot. But I didn't paint, nor did I cook, or swim, activities that I usually pursue with great discipline. I  quickly graduated from the walker to a cane, and finally was able to manuever sans aide, walking the dog for about a half mile daily, and have returned to swimming that same distance at the pool in our local YMCA. I also returned to the studio sometime in late October, and even managed to debut the series of abstract work I spent almost the entire year on, at a two person show at the Unitarian Universalist Fellowship Hall and Gallery space, once again showing with Sally Everhardus, as shown above.  

 I wonder where the people are who might find something that resonates within my paintings.  Maybe I have some  form of attention deficit syndrome,  I  now find myself coping with  the world news and urge to run away and hide, or go out and scream and rant... and painting seems as good a place as any to go and hide for hours at a time.

 The rabbit has been with me since my first art work that I can remember making, I drew and colored a rabbit, it was pink, and I glued a cotton ball to its bottom, and cut it out and carried it with me, in my pocket, when I was probably barely 4 years old. I clearly remember placing the rabbit in the glove box of our 1948 Buick, and when I went to retrieve it later, it had been crunched and tossed by someone, not realizing what it meant to me.  The rabbit is a harbinger of fertility, creativity and mischief in some cultures. The rabbit is journeying to the moon in a boat, to sweep the moon clean, in Japanese mythology, and as I look to the night sky, I think about that and wonder what kind of junk must be on the moon these days. We follow the rabbit down the hole, we get Easter eggs from the rabbit, we  carry it's foot, or used to when I was a kid, in hopes it brings good luck. So the rabbit was my first choice in my animals and myth series. My rabbit in Lunar Landing is busy at the edge of the dark side of the moon, cleaning it, or eating the darkness away, to reveal the lighter side, the side reflecting the sun.

Incubator focuses on the balance between destruction and creation. The turtle to me is a slow but determined creature, who  out of the mud and muck, creates a place that is nurturing and full of life. A friend suggested too, that the turtle lives between two worlds, of air, land and light, as well as darkness, water, muck and unseen worlds, both  hold on to life, both are necessary to create a whole, a balance. My turtle is placed as if on a banner, the animals become a form of heraldry.  

In the coming months, I hope to  launch into several more "Shield Paintings" which  explore the use of animal symbolism and convey my feelings and impressions of thoughtful contemplation andmeditative awareness.  

August 2014, Reflections on Summer

.... the Door Prize for Portraiture is now closed for the year. Artists arrived to pick up their work the last weekend in July and I have now transformed the space. These flowers were gracing the reception table and lasted through  the better part of Julybut they are gone now, and I feel the passing of another wonderful event.

We had just under 200 guests come through to view the portraits. There were several episodes of people locking keys in their cars,  and that provided those concerned, a chance to sit and savor the moment while awaiting arrival of a spare set of keys.  We had the Broad Salon group meet here, and also lots of friends and family of many of the subjects featured in the paintings. The comments this year continue to be encouraging and favorable. People I don't even know now want to be a part of this event. I change the list around every year, and plans for 2015 include expanding the list.

Meanwhile, I have  my own art work in three different spaces, all nonprofit art venues, the DCCF office lobby gallery in Sturgeon Bay, featuring work by me and Sally Everhardus, which will be up until Sept. 10. 

The Hardy features a Collection Invitational each summer, and I was invited this year. My work is hanging next to my esteemed friend and favorite, Emmett Johns. The  pieces featured include a small piece up for auction, a fundraiser for the Hardy. Also included is a duet of abstract work which showcases the direction I pursued last winter. 

This dyptich is titled Eccentric Orbit and is currently hanging in the Hardy Gallery in Ephraim WI.

Magpie and Bush 2014

is currently on exhibit and available in the silent auction fundraiser being held at the Hardy Gallery, Ephraim WI. through the month of August.

This painting relates directly to the pieces currently on display at  ON THE ROAD, the Miller Art Museum in Sturgeon Bay, which features work by 11 artists, and their work while traveling. I chose work from Australia 2005-2009.

Magpie Family 2005

I include an example of my work for that exhibit as well, although it is older work and may be a repeat from a posting on this blog a few years ago.

Parting shots today include a reminder to myself, summer is fleeting, and here art imitates nature....

Bird Shadow on Snow
this photo may inspire some future work next winter

Sticky Snow Cover

photo on top from early 2014 snow cover

and a study in water based oil of similar subject, 2014

Fifth Annual Door Prize for Portraiture Opens to a large and enthusiastic crowd.

 The Best in Show for Door Prize for Portraiture was chosen along with three honorable mentions, by guest juror Kat Murrell, an Art historian, lecturer and writer from Milwaukee, WI.  Twenty-four artists participated in the annual event which was inspired by a visit to the famed Archibald Prize exhibit years ago in Sydney Australia. Steve and I talked about the impression of a rooms full of exquisitely executed portraits, and wondered how it would play in Door Co on a smaller scale. We invited a handful the first year, and it has grown each year, with a few new names added, some old ones dropped off, and ultimately we have a collection of incredible interpretaions of the portrait genre.  This year Door Prize went to Mary Ulm Mayhew, who unfortunately could not be at the party when awards were passed out.She was busy painting en plein air at the plein air festival in Cedarburg WI. Mary is however a strong presence in Door county, with her work featured at Edgewood Orchard each summer, and she has taught countless workshops in the area. Her work will also be included in ON THE ROAD, Artists who Travel, at the Miller Art Museum the end of July. I am also in that show, and its fun to think back now on my first trip abroad. It was with Mary, for two week trek in Scotland, a week on an artist retreat on the Isle of Skye.  The painting that Mary submitted is Dos Amigas, a portrait of close buddies, Pam Flanders and Marcia Boyd, both of whom are also accomplished painters. I have also traveled with these two as well, and the experiences we shared one Labor Day week, in the water off the coast of Seattle, traveling around in a boat with Mary and Charlie  and another couple who owned the boat,  linger to this day as some of the best vacation time ever. But I digress, back to the Door PRize.

Honorable Mentions went to Toler Wolfe, who just got his BFA in art from UW MAdison, Toler was unable to attend the party but his parents were there to accept for him. Toler will be on his way in the fall to Chicago, to do stand up comedy. Stephanie Trenchard won for her glass piece, a self portrait in cast glass, painted on an amphora shape and embedded in a gothic arch of solid clear glass. It is stunning as she is... the third winner this year is Bonnie Paruch, another former West Bend friend who settled in Door Co about the same time I came here to work at the Fairfield Public Gallery, Bonnie established a studio and gallery space at her home over the last decade and is a strong presence in workshops, she teaches  throughout the region.  What a great show. Diverse, eclectic, yet all of it addressing the single  topic, the portrait.

Dos Amigas by Mary Ulm Mayhew

Door Prize for Portraiture 2014 Best in Show